Books read in February: 9 // Total books read in 2018 so far: 20
Favorite book read in February: André Aciman’s Call Me By Your Name
The Women in the Castle by Jessica Shattuck (⭐️⭐️)
Jessica Shattuck’s The Women in the Castle is a historical novel set in post-WWII Germany. A group of women, widows of resistance fighters, grapple with the aftermath of war, struggle to come to terms with their troubled country, and piece together their lives. I usually love historical fiction, but this book just plods along, the characters read like unsympathetic caricatures, and the plot never fully grabbed me.
Binti by Nnedi Okorafor (⭐️⭐️⭐️)
Binti, a young Himba woman who is the first of her people to be accepted to the best university in the galaxy, flees her homeland and boards a spaceship that will take her on an eye-opening and life-changing journey. The first novella in Nnedi Okorafor’s sci-fi trilogy, Binti is a quick, engaging read that tackles ideas of race, identity, black power, and “otherness” in a fantastical, outer space setting.
What Happened by Hillary Rodham Clinton (⭐️⭐️⭐️)
Hillary Clinton’s memoir What Happened was my book club’s pick for the month and supplied interesting fodder for conversation, though we agreed that the writing was, at best, very mediocre, and parts read like a shout-out/hand slap to the various folks who’ve helped/hindered Clinton along the way. While the rehashing of the lead-up to the 2016 presidential debacle was more emotionally grueling than fascinating, the most engaging bits were the descriptions of the Clinton’s interior lives, their family gatherings, dinners with friends, their favorite television shows, their private chats. Being invited into these quiet, personal spaces, moments that speak to the importance of family, community, and survival, grants the reader some kind of social catharsis against the tumultuous, razor-sharp political situation we inhabit today.
Heart Berries by Terese Mailhot (⭐️⭐️⭐️⭐️)
Heart Berries is a beautifully written memoir by Native American writer Terese Mailhot. In it Mailhot puts big, messy emotions on paper, exposing her life – missteps and triumphs, bouts in a mental hospital, jealousy and rage – and her huge heart. She writes with a fearless pen about identity, colonial whiteness, and the trauma that persists in the body after the generations of violence against her people. A strong, powerful book.
The Miniaturist by Jessie Burton (⭐️⭐️)
The Miniaturist, a historical novel set in 1886 Amsterdam, follows the young bride Nella Oortman as she moves into the house of her newly-wed husband. He is often absent and his strong-willed, cruel sister rules the roost. The first half of the book was well-plotted and the story of Nella’s maneuvering within her new, strange world was an interesting one; the second half of the book fell flat and the plot moved off into predictable yet ridiculous territory.
The Wedding Date by Jasmine Guillory (⭐️⭐️⭐️)
I decided to take Oakland-based Jasmine Guillory’s breakout romance The Wedding Date on vacation to Mexico and am happy I did. It’s the perfect beach read. After meeting in a stuck elevator, Drew Nicols asks stranger Alexa Monroe to be his guest to a wedding, his ex’s. She agrees, and their biracial romance blossoms. It’s a playful, easy book with a huge dose of food porn thrown in to whet the appetite.
Call Me By Your Name by André Aciman (⭐️⭐️⭐️⭐️⭐️)
My favorite book so far this year has been André Aciman’s 2007 coming-of-age novel, Call Me By Your Name. Set in Italy during a summer in the 1980’s, the novel centers around the charged romance between 17-year-old Elio and the 24-year old American scholar/student, Oliver, staying at Elio’s parents’ villa. It’s a gorgeously evocative glimpse at the endless possibility of youth, the disarming intensity of first love, and the blind need of infatuation. I wept through the last 40 pages, and upon finishing I went back and read those last pages again, heart aching and feeling all the feels.
The Idiot by Elif Batuman (⭐️⭐️⭐️)
Where Call Me By Your Name is electric with passion and longing, Elif Batuman’s ambitious coming-of-age novel, The Idiot, is emotionally bereft. The heroine of the book is Selin, a bookishly smart young Harvard student who stumbles as much through her academic life as she does through her emotional one. Batuman satirizes academia and shines a light on what it meant to be on the cusp of adulthood in 1995 when email was new and missing a phone call on accident was still a thing. Satire is not my favorite genre and I kept expecting to be wowed by this book, to find some gem in the narrative that pulled it all together, to feel something deeper for the bland main character, but it, and she, ultimately left me cold and indifferent.
Defectors by Joseph Kanon (⭐️)
Stilted dialogue. Uninteresting characters making baffling decisions. Slow plot.
Hard pass.
Poignant and gut-wrenching, Han Kang’s 
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