Young author (she’s 24) Danya Kukafka’s Girl in Snow is getting a good dose of buzz as a compelling who-done-it thriller. It’s a promising debut with some graceful writing, though the plot is unsurprising and the characters are formulaic.
The narrative follows three different characters in the aftermath of a high school girl’s murder in a small Colorado town. Each of these narrators, the high school girl who despised the murdered girl, the teenage (probably on the spectrum) neighbor boy who was obsessed with her and is now a key suspect in the investigation, and a police officer investigating the murder, offers the reader a different perspective on the dead girl and the town. Because all of the characters are familiar stereotypes, the Girl in Snow murderer is an easy guess and most suspense readers will figure out the twist by the middle of the book.
Looking past the predictability of the characters and the plot, there is a brightness to Kukafka’s writing; parts glimmer with a real understanding of human nature. I’ll be interested to read what Kukafka writes next.
I love a good thriller. And I had high hopes for Riley Sager’s Final Girls, which has received starred reviews from Library Journal, Kirkus, and Booklist, and was praised by Stephen King as the “first great thriller of 2017.”
Like most books in the suspense/thriller genre, there’s a twist. I guessed the reveal within the first 20 pages, so when I finally got to the end it felt eye-rollingly predictable. The slasher action takes center stage over character development and the characters felt flat and stereotypical, their pain laughable and gratuitous. I wasn’t sad when the book ended.
Also, isn’t it interesting that more and more male authors are taking gender-ambiguous pseudonyms in an attempt to sell suspense books to women?
Slow Horses is the first book in a series by Mick Herron about MI5 agents who have been relegated, by bad choices they’ve made, the enemies they keep, or circumstances beyond their control, to the backwater of Slough House, an office for fallen/disgraced agents.
The characters are a motley crew, the plot a bit far-fetched, and the pace a little slow at the beginning, for my taste, for a mystery.
I didn’t love this book, but am intrigued enough by the characters and the snappy writing that I might read book two. I discovered this series via librarian Nancy Pearl over on NPR, who notes that the books get better as the series progresses.
After reading and loving Chaon’s Await Your Reply a few years ago, I was excited to pick up an ARC of Ill Will at my fave local bookstore (where I used to be a bookseller).
Sadly, I didn’t like this book. I found the characters unredeemingly grotesque, and because I disliked the characters so much, I couldn’t invest any emotional energy in actually caring about the plot or the outcome. Blah.