Month: May 2018

April Reading Wrap-Up

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Books read in April: 7 // Total books read in 2018 so far (as of the end of April): 35

Favorite books read in April:  You Think It, I’ll Say It by Curtis Sittenfeld and Difficult Women by Roxane Gay.

Enigma Variations by André Aciman (⭐⭐⭐⭐)
Remember how much I loved Call Me By Your Name? It was so beautiful and evocative and full of longing, I was excited to pick up and read André Aciman’s 2017 novel Enigma Variations. Like Elgar’s orchestral work of the same name, Aciman’s novel explores variations on a theme. It’s a novel broken up into 5 vignettes (as opposed to Elgar’s 17) that center on the love life of Paul and his forays into lust, infidelity, emotional longing, and all matters of the heart. Aciman writes desire so well, and he manages to capture the palpable ache of yearning with gorgeous prose.

Difficult Women by Roxane Gay (⭐⭐⭐⭐⭐)
Difficult Women broke my heart. The women in these stories are not “difficult,” they are survivors. Of abuse. Of heartbreak. Of horrible men. Of the crap that life throws at them every single day. I loved this collection for the honesty and raw emotion found in each story, and am continually awed by Gay’s willingness and nerve to put her characters in difficult and necessary places. Bravo. trigger warning: kidnap, rape

Tangerine by Christine Mangan (⭐⭐⭐)
I picked up Christine Mangan’s debut novel, Tangerine, prior to my recent trip to Morocco. The book takes place in 1950’s Tangier, where a recently married couple is unexpectedly visited by the wife’s former college roommate. As roommates at Bennington College, Alice and Lucy formed a quick bond and parted ways after a mysterious accident. Now in Morocco, they begin to unravel the story of their past with alarming consequences. The book has flavors of a hard-boiled mystery with an obsessive female friendship at its core and a fairly predictable plot.

Children of Blood and Bone by Tomi Adeyemi (⭐⭐⭐⭐.5)
At 500+ pages, Tomi Adeyemi’s epic debut, the YA fantasy Children of Blood and Bone (#1 in the Legacy of Orïsha trilogy) is an entertaining and surprisingly fast read, with strong character development and world-building. Though the story is told from three different perspectives, the book centers on Zélie Adebola, a strong warrior/heroine who embarks on a journey of self-discovery with a mission to return magic to the people and land of Orïsha. So many fantasy books revolve around white boys, magicians/wizards who find their way to wizard school, are tested, and overcome adversity with magic.
I love that this fantasy features a cast of all-black characters and that the messaging throughout, about remembering those who came before, about finding the strength to fight, and about fighting a system of oppression and confronting police brutality, is so very relevant in our world today.

A Discovery of Witches by Deborah Harkness (⭐⭐)
Magic? Witches? Vampires? Yep. I was expecting to be swept up and carried away by Deborah Harkness’s A Discovery of Witches. Unfortunately, I found the plot interminable and characters and dialogue tedious.

You Think It, I’ll Say It by Curtis Sittenfeld (⭐⭐⭐⭐⭐)
Curtis Sittenfeld is a masterful writer of dialogue, character, and pacing, and these short stories are some of the best I’ve read. An excellent collection.

I Let You Go by Clare Mackintosh (⭐⭐⭐)
Clare Mackintosh’s breakout debut, I Let You Go, was recommended to me by a bookseller friend as a fast-paced thriller with a twist. While the book is skillfully plotted so you know that twist is coming, it doesn’t disappoint. A fun, quick read.

March Reading Wrap-up

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I’ve been so focused on reaching my reading goals these past few months that I have completely neglected blogging. So, in an attempt to catch up… here’s my reading wrap-up from March!

Books read in March: 8 // Total books read in 2018 so far (as of the end of March): 28

Favorite book from March: Maggie O’Farrell’s I Am, I Am, I Am

The Last Painting of Sara de Vos by Dominic Smith (⭐⭐⭐)
In Smith’s The Last Painting of Sara de Vos, three narratives are woven together to create a story that revolves around a painting, a landscape by Sara de Vos, a Dutch artist living in the 1600’s. The thread of de Vos’ art and life is interlaced with that of a man living in 1950’s Manhattan who has the painting hanging on his wall, and that of a young Australian forger living in Manhattan hired to replicate de Vos’ masterpiece. While the novel is rich in detail and description, the plot never fully captured my attention.

Blood, Bones & Butter by Gabrielle Hamilton (⭐⭐⭐)
I picked up Gabrielle Hamilton’s Blood, Bones & Butter prior to my trip to New York and visit to her restaurant, Prune, in March. Once a foodie hot spot, Prune is now a New York mainstay with overpriced dishes that are simply fine. Hamilton’s memoir about discovering her love of food and becoming a chef made my mouth water various times, but the narrative verged on tiresome when she repeatedly divulged details of her painfully awkward marriage to the father of her children, a man she seemingly fell into a relationship with and didn’t love.

White Houses by Amy Bloom (⭐⭐⭐)
White Houses frames the relationship between Eleanor Roosevelt and reporter-turned-friend and lover Lorena “Hick” Hickok with tenderness and insight. It’s an intimate portrait of two women looking for love and companionship, both in sync and at odds with the marriage between Franklin Roosevelt and his first lady, Eleanor. Throughout, we are offered a peripheral view, removed; we gaze in as if from a window, separate from the story and the characters. I was left wanting more.

I Am, I Am, I Am: Seventeen Brushes with Death by Maggie O’Farrell (⭐⭐⭐⭐)
In Maggie O’Farrell’s memoir I Am, I Am, I Am, the author offers up haunting glimpses of near-death experiences that have shaped the trajectory of her life. In prose that is as beautiful as it is raw, she exposes a dangerous encounter on a secluded path, instances of nearly drowning, complicated childbirth, heartbreaking miscarriage, and more. These seventeen “brushes with death” leave the reader thankful for every breath, every moment of being alive.

Winter Kept Us Warm by Anne Raeff (⭐️⭐️⭐️)
Winter Kept Us Warm, Raeff’s novel about family, war, desire, parenthood, and independence, follows three characters, Ulli, Isaac, and Leo from the moment they meet in post-war Berlin through the rest of their lives as their paths intersect and diverge again and again. While I wasn’t wowed by this book, there are nice bits of writing throughout and Raeff is a skillful storyteller.

Back Talk by Danielle Lazarin (⭐️⭐️⭐️⭐️)
I picked up Danielle Lazarin’s Back Talk off the front table at McNally Jackson in New York, and I’m glad I did. Lazarin’s stories, which are refreshingly satisfying and smart, revolve mostly around middle-class white women in NYC in the process of wanting, desiring, becoming. A lovely, well-written collection.

How to Stop Time by Matt Haig (⭐️⭐️⭐️⭐️)
While the cover of Matt Haig’s How to Stop Time did nothing to sell me on the book, the blurbs did. “Marvelous,” said Deborah Harkness. Jeanette Winterson: “Matt Haig uses words like a tin-opener. We are the tin.” Tom Hazard is a man who ages slowly, his body and his face hardly change year after year allowing him to live for centuries. Not aging soon becomes problematic as peers and love interests change and mature; those around Tom start to take notice. The plot is far-fetched, with Hazard placed at the right (or wrong) places at various points in history, and the end felt a bit messy, but the book is an entertaining page-turner that will keep you engaged and reading until the very last page.

Home Fire by Kamila Shamsie (⭐️⭐️⭐️)
Home Fire, shortlisted for the Man Booker Prize in 2017, and my book club’s pick for March, is a modern telling of Sophocles’ play Antigone. Shamsie’s story follows three British Muslim siblings as they encounter prejudice and extremism in Britain, and explores how they negotiate family, politics, betrayal, and matters of the heart. I wanted to love this book but sadly found the characters bland and the writing mediocre. Though that cover is GORGEOUS.